|  |  | José María de
        Pereda monument (Santander) |  | During the whole of the
        twentieth century the more important cities were adorned
        with public monuments dedicated to the most significant
        events of their history. In 1911 the José
        María de Pereda monument was unveiled in
        Santander in the Pereda gardens, as picturesque
        rememoration of some of his costumbrista
        (social-realistic) novels. In the modernist tradition,
        the monument to Menéndez
        Pelayo
        was erected, created by mariano Benlliure and situated in
        the gardens of the library that is also dedicated to him
        in Santander. The Palencian sculptor
        Vitorio Macho stands out for combining modernism with the
        Baroque tradition in his sepulchral monument to Menéndez
        Pelayo in Santander cathedral, and in a bronze Christ in
        the parish church of Los Corrales de Buelna. But it was
        the sculptor José Villalobos, of Castro Urdiales, a
        follower of Constantin Brancusi and Jacques Lipchitz, who
        broke with nineteenth-century tradition and initiated a
        more modern current that sought a pure sculpture, without
        the use of cast-moulds, returning to straightforward
        cutting and chiselling. He made the monument to the poet
        José del Río Saínz at La Magdalena (Santander) and the
        sculpture at Santo Domingo de la Calzada in the valley of
        Toranzo. |  |  |  |